Knotted Wrack
by Maureen Clark
I can see now that it was a winter for travel
although I never left the house in Bountiful
and the cat rarely traveled
far from the southern windowsill I traveled
to the edge of belief my religion like seaweed
tangled around my ankles pleading to some God: help me traverse
this trouble the loss of the religion I traveled
with my whole life I am searching for the right word
to describe this battle with my old self those unpredictable words
that I see out there beyond my small life I want to travel
to those exotic places where I might find the woman
I believe I really am the woman
I want to be authentic and unrepentant as thunder and lava the woman
just out of my reach the object of all my inner battles
I have been defined: weaker sex helpmeet the kept woman
goodwife better half one of nature’s agreeable blunders the woman
behind the man sister second-class citizen, I live in the heart of Bountiful
where my story is full of women ruled by religion women
sacrificed to religion for man’s love of God more than woman
the tangled sacred sense of God turns out to be the Devil’s shoelace seaweed
in thin filaments that trip the logic beached lumps of seaweed
the smell of salt a time of wrack and loss and women
cast up cast out scapegoats I want a word
to describe this kind of wordlessness
I am labeled by this language so many words
none of them written by women
I am not a consolation prize a word
that can be underlined pinned down I am the word
dangerous the word wild I can only travel
in one direction I’ll be a scalpel cutting out the words
that insist I take someone else’s word
for it not my own here in Bountiful
I will weave an elaborately and bountiful
life of shells and string and the words
I’m not supposed to think question I can’t ask caught in this seaweed
my whole life a sweet tangle of weeds
separating the self from the saint/sorceress/sinner/seaweed
the colors of the ocean I drown in I collect words
for kelp: knotted wrack sea whistle gulfweed
the cottage industry of green bottle seaweed
the metaphor for a woman’s
hair what is acceptable what is not chenille seaweed
black tang lady wrack carrageen
mermaid’s fan I will find a way to travel
away from my past unknotting myself travel
to an ocean big enough for Saturn to float surrounded by seaweed
I will find answers there that I can’t find in Bountiful
where I drown in the unappreciated bounty
of identical houses a cherry tree in each yard bountiful
place in the desert of roses near the Great Salt Lake where no seaweed
beaches just crusted salt oolitic sand the bounty
of silence of being silenced how ironic that Bountiful
is the place where I lose my religion where it’s not just a word
for abundance where I am finally full
of loss enough to let go and accept the bountiful
imperfection of myself this is where I live just a woman
who is naming herself one letter at a time a woman
who lives in a kind of poverty so rich I can be full
of questions my feet bare I carry a jar of ointment I am a traveler
looking for answers I will choose what I need to take with me I travel
towards my own definition the one I choose
I travel alone into this bountiful place to become
a woman who gathers words and stones
shells and seaweed
a woman who hoards her verbs
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I wrote this poem about fifteen years ago. I was reading the poem “Lennox Hill” by Agha Shahid Ali from his book Rooms Are Never Finished (W.W. Norton, 2001) and the repetition of the Canzone was mesmerizing. This was a poem that took a long time to compose. Any kind of poetic form needs to work without drawing attention to its rhymes and repetitions. The Canzone felt like the perfect form for the project of trying to explain the journey o f a woman leaving the religion she has always belonged to and arriving at a place where she could define herself. The repetition was a good tool for this often-circuitous journey.
[Editor’s Note: “Knotted Wrack” has since been published inThis Insatiable August (Signature Books, 2024), and was nominated for The Pushcart Prize Anthology, Best of the Small Presses.]
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MAUREEN CLARK retired from the University of Utah where she taught writing for 20 years. She was the director of the University Writing Center from 2010-2014, and president of Writers@Work from 1999-2001. Her poems have appeared in Colorado Review, Alaska Review, The Southeast Review, and Gettysburg Review among others. Her first book is This Insatiable August (Signature Books, 2024).