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Worry Poem

after Barbara Ras

     by Alexandra van de Kamp

 

I worry about the sighing

of my mother’s bones

 

each time we hug.

 

That a tornado-sky, that low-

humming, humid clutch of clouds,

 

will zero in on my heart one June night.

 

I worry that I won’t hide under the butcher-block

table nearly fast enough

 

to dodge the bullets, sooty rain,

golf-ball-sized hail, and pigeon shit

 

a life can happily fling our way.

I worry I’m just a story

 

tucked inside other stories,  

like the hatboxes

my grandmother stored in her dank,

Rhode Island basement.

 

A teetering stack

with department store names

 

like Bonwit Teller printed in black

dusty script across the round lids.

 

And let’s not forget the invisible:

the mosquito the size of a torn

 

eyelash, the grudge that lodges

in your chest for years, and the virus

 

mutating with the giddiness  

of a party guest who keeps  

 

pouring herself new cocktails

from the vodkas, gins, and tequilas

 

lined up at the bar

by some generous host.  I worry

 

I worry too much. .

I am not the problem-solver  

 

our world craves.  I am no beekeeper,

no geneticist mapping DNA. 

I’m a shy activist and a distracted

cook, inclined to burn boiling milk

 

and peas, to leave the tea kettle

shrieking.  Each thought

 

a firefly with its tipsy glow

careening inside my head

 

as if it could answer a question

I’ve not learned to ask yet. 

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Previously published in my third book of poems, Ricochet Script (Next Page Press, 2022), this “Worry Poem” is one of my favorite recent poems because I could list a wide range of worries I had experienced but had never put into words yet.  It was partially inspired by reading Barbara Ras’s poem, “In the Last Storm I Tried to Write the History of Secrets” (The Blues of Heaven, University of Pittsburgh Press, 2021), which has a wonderful list of worries within it.  I also can struggle with endings in poems, and, thanks to a fellow poet’s advice, I played around with rearranging the original order of the last 5-6 lines and ended up not needing to come up with a new ending—it had been in the poem all along, just in the wrong place.  This is a poetic lesson I have applied to other poems—rearrange lines if you are stuck and see what the poem unlocks! 

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Alexandra van de Kamp photo.jpg

ALEXANDRA VAN DE KAMP is the Executive Director for Gemini Ink, San Antonio’s Writing Arts Center.  Her most recent book of poems is Ricochet Script  (Next Page Press, 2022).  alexandravandekamppoet.com 

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