A High School Madrigal
Naomi Ulsted
Derek and Stephanie were in their usual eight-fifteen in the morning position: Stephanie pressed up against a bank of lockers, Derek’s hand on her ass, as they proceeded to eat one another’s faces off. At least that’s what it looked like to me. Frost clung to the grassy field beyond the lockers, but Derek and Stephanie didn’t mind the cold. I focused on getting past them and into the choir room.
Slipping on a spit wad, I stumbled through the doors into Mr. M’s choir room. Unlike most of the teachers, Mr. M. opened the doors early so kids could hang out in the warmth. He rummaged through a haphazard pile of sheet music. “Morning, Mr. M.,” I called. He glanced up, giving me a distracted wave. Mr. M. was always fidgeting, rummaging, starting to review music, then jumping up to plunk notes out on the piano, then patting the pockets of his corduroy suit jacket as if searching for something, then darting into his office for his briefcase, then without opening it, returning to the pile of cluttered papers on his desk, a whirl of constant movement, anxiety, and distraction. And I loved every bit of it.
In the bathroom, I checked the bandages on my shins. I was out of clean pants, so I’d had to wear a skirt, even though that meant I couldn’t hide my shins. After a massive argument, Mom had finally relented on her vow that I wouldn’t be allowed to shave my legs until I was eighteen, but she wasn’t happy about it. She had left a handwritten notecard. “Charm is deceitful and beauty is vain, but a woman who fears the Lord is to be praised.” – Proverbs 31:30. During my first shave, I’d sliced myself up good. Punishment for my vanity of wanting smooth legs.
I took up my usual spot next to my best friend, Theresa. She offered me a slice of green pepper from a plastic bag. Theresa and I had basically been inseparable since second grade. We shared a locker, ate lunch together, and spent nights at each other’s houses at least a couple of times a month. I was grateful our school schedules were nearly identical because without her, I was awkward, silent, and withdrawn. In classes, surrounded by kids on the bus, or even at home with my own large and loud family, it was like I couldn’t figure out where to place myself in the scene, or what my role was. I really only fit as one half of a pair with Theresa.
Mr. M. kneeled down, so his bald head was level with me. “Have you injured yourself?” His eyes darted to my legs.
“Oh,” I said. “I was shaving.” I blushed.
“With a machete?” He winked at me and then darted up to the front of the room as the bell sounded. I moved into my place in the front row of the soprano section.
“Adams!” Mr. M. barked. “Put that lighter away before I set you on fire with it!”
John Adams was several rows behind me, and as I turned, he threw a wad of paper at Stacy, whose hair flipped back as she swore at him, laughing. Stacy and her senior friends were loud girls who wore heavy eye makeup and talked about “partying,” and I was quite sure they weren’t virgins. They used profanity, which I figured was an indicator. John’s hair was long and flopped into his eyes, which were such a light and gentle blue that they were nearly transparent. I had fallen for him the day I walked behind him while he sang “Still Loving You” by the Scorpions. He was a senior and had only said possibly ten words to me, and those were words like, “Hand me that pencil, will ya?” Yet, there was something I loved in the sincerity of his singing and the earnestness of his face as he tried to pick out the tenor melody.
“Jasmine!” Mr. M. hollered. “Give us an E.” Our foreign exchange student from Brazil, who had perfect pitch, sang out an exquisite E note. It was only during choir that we heard Jasmine’s voice. She was painfully shy otherwise. Much like me, but without the benefit of a best friend. She almost always had her nose in a textbook and she never laughed. Mr. M. closed his eyes, savoring Jasmine’s clear voice, then raised his arms, and without taking roll, without greeting the class, and without preamble, he launched us into our first madrigal of the day, “My Heart Doth Beg.”
Mr. M. had a fondness for fifteenth-century madrigals. They presented four parts moving within one another, forcing us to pull together the frayed ends of our harmonies. When we were so bored with “My Heart Doth Beg” that we pleaded for a different madrigal, he’d have us learn one another’s parts until we could see how the piece was complete with the four lines interwoven. As usual, I wanted Mr. M. to know how well I’d learned my part. I was desperate to be heard and to stand out in his mind as someone special. Contradicting my mousy and withdrawn self, my voice could be wild and out of control, demanding attention. I belted out my part, but I was clearly overzealous or off-pitch because I immediately got “the hand.” When a singer was too loud or off-key, Mr. M. would raise his palm toward them. If the singer didn’t back off, he’d get closer until, if you were in the front row like me, the hand could be right in your face while Mr. M. crinkled up his own face in what could only be physical pain caused by atrocious sounds coming from your own voice. That’s what I got now, and I forced my voice into a near whisper.
My failure still stung at the end of the period as Mr. M. reviewed our upcoming trip's details. The following week, the choir would take an overnight trip to perform at a middle school a few hours away. At home, this event had been preceded by multiple conversations with my mother, where it took all my persuasive arguments to get her to sign the permission form. She did not think it appropriate for girls and boys to be spending the night together, even though I explained, not so patiently, that we would all be on a gigantic gymnasium floor with the girls on one side and the boys on the other. Plus, there would be tons of chaperones, so it’s not like people would even have the chance to be fornicating. Well, Derek and Stephanie would probably figure something out, but I didn’t mention that. Finally, after promising to attend church on both Sunday and Wednesday nights the weeks before and after the trip so my Christian defenses would be ready for whatever temptations the choir trip would bring, she agreed to let me go.
Theresa and I were beside ourselves with excitement, spending most of our time talking about which of our classmates would be the most fun to ride with on the bus. For Theresa, I knew that it was Bob Dietz. As we left the choir room, he swaggered in front of us, swinging his bangs out of his eyes. In a “secret” survey passed around the school last year, Bob’s ass had been voted the best in the junior class. The great divide between the junior and sophomore classes wasn’t the only thing keeping Theresa from talking to him, though. He had been voted Junior homecoming prince and was forever surrounded by his pack of popular kids. In the social hierarchy of high school, Theresa and I weren’t at the bottom, but we were nowhere close enough to the top to be allowed to speak to Bob. He was just as out of reach for her as John was for me. So we just kept to our own world and watched from a distance.
We boarded the bus a week later as early morning mist rose from the grass and floated over the baseball field. The parking lot was empty except for cars belonging to upperclassmen. My dad had dropped me off on his way to work after we’d spent the forty-five-minute drive in silence. I’d glanced at him through the window as he pulled away, but it was dark, and he was shadowy behind it. It was the way things were with us.
Theresa and I found a seat in front of Tim Anderson, who had already fallen asleep, his head resting against the seat in front of him. It was warm and quiet inside, and nearly everyone dozed. When I woke, Tim was placing tiny paper airplanes on my head. Theresa whispered he’d been doing this for several minutes. I was mildly flattered, but Tim was even lower in the hierarchy than we were. He wore jeans hiked up high on his waist, yet they seemed to be drawn downward, and when he bent over to pick up his duffel bag, I would see more of Tim than I wanted. “Knock it off,” I said, flicking the airplanes away.
“Hey, Mr. M.’s telling a story.” Up in the front section of the bus, I could see Mr. M.’s bald head scrunching up and his hands gesticulating wildly. I knew right away he was telling the snowball story. Theresa and I made our way up front, and soon, a group of us was squeezing three or four bodies into the seats closest to him.
Mr. M. told our class a story about once a week, although we begged for one every day. “Tell us about the loogie in the sandwich!” we’d say, or “Tell us about the one when the cow gets shot.” He repeated his stories often, which no one minded because his telling of them was so detailed and full that we felt like we were living it anew each time. Sometimes, his stories stung with sadness, and we’d file out of the choir room subdued and foggy, distractedly making our way to our next classroom. More often, though, his stories were full of tiny details that left us rolling with laughter. Mr. M. opened his eyes comically wide as he described the truck driver’s eyes as the snowball barreled toward him. He ducked from view behind his seat to show how the driver disappeared when the snowball hit its target. By now, our group had grown, so seniors, freshmen, and everyone in between were squashed together around him.
A couple hours later, we stood in a close semi-circle in the school’s gymnasium. It was an hour until our performance, but Mr. M. wanted to hear the acoustics. We focused on him as he pulled us in tighter, pleading with us to listen to one another, hear one another’s parts, and remember what the song was about. Mr. M. always made us dissect the madrigal’s lyrics, pushing us to feel the passions of the fifteenth century. “Live it!” he would shout. I sang with zeal, watching him for signs that I should back off or, hopefully, sing more enthusiastically. Theresa was across the semi-circle from me, and I could usually pick out her part, but this time, I could only catch it faintly. I grasped my own part and sang confidently until Mr. M. gave me the hand, and I knew I’d blown it again.
Defeated, I headed to the locker room with the rest of the girls. Theresa had gone ahead of us, and I looked for her as I stood in the mirrors, my reflection small and childlike next to Kathy and her perfect hair and makeup. “Hey, Steph!” Kathy shouted. “Let me borrow your eyeliner, bitch!”
“Only if you twist my titties!” There was raucous laughter, and the eyeliner flew above several heads to Kathy.
I recognized Theresa’s shoes under the stall and knocked. “Are you okay?”
“My stomach hurts.” Theresa opened the door and sat down on the bench. She was white.
“Do you have the flu?”
“I guess,” she said. “I don’t know.”
“Are you going to sing?” I asked. “Do you want me to tell Mr. M. you can’t?”
“No.” She was unusually closed-lipped. My hands lay helplessly in my lap as if they didn’t know what to do.
But as we walked on stage, it felt like every one of those middle-schoolers was clapping for me. Jasmine’s soft doe eyes locked with Mr. M.’s, and she sang out our starting note. I watched Mr. M. and I lived the lyrics, and I barely noticed anything else. Until partway through the second song, when Theresa quietly walked off stage as if she had a pre-arranged appointment. As I watched her disappear into the locker room, I faltered and lost my part. Mr. M.’s eyes had followed her, but now he scowled at me, and I struggled to re-find my place.
After the performance, I found Theresa doubled over the bathroom stall, full-on sobbing. “I think you need to get someone.”
We waited in the emergency room for what seemed like an eternity. The chaperone who had driven us had returned to the gymnasium, as we were evidently understaffed after all, and there was a major concern that without proper chaperoning, there would be fornication or drinking. The chaperone had already asked a couple of pointed questions about whether Theresa might be pregnant and seemed doubtful when Theresa had adamantly shaken her head.
I had never been in an emergency room and was surprised at the amount of sitting and doing nothing involved. A middle-aged woman read Cosmopolitan as she waited. The cover advertised an article about the “10 Sexiest Things for Celebrities.” I wondered if that was different than the 10 Sexiest Things for Derek and Stephanie. Theresa rocked back and forth without talking, her head down. Every time the nurse entered, I was sure her name would be called, but it was not. Tears were dropping onto Theresa’s arms she had clutched around her middle. I went to the front desk, staffed by a woman with dull eyes.
“My friend has been waiting a long time.”
“We’re just a little busy right now,” she replied. “We’ll get to her as soon as possible.”
I felt a twist of panic. I gripped the counter. “Something is really wrong with her. She’s not pregnant, she’s not on drugs. She needs to be seen right now. If she isn’t taken care of now, I don’t know what is going to happen.” My voice broke then, and embarrassingly, I stood at the counter and cried. But I saw a little life flicker in this woman’s eyes, and she went into the back.
A minute later, she returned. “We’ll see your friend now.”
I didn’t see Theresa again until she was in the recovery room following her appendectomy. Her skin was still pale, and her hospital gown lay sloppily, exposing her shoulder. I looked down, and the black and white tiles of the floor began to rush up toward me, and then there was a nurse holding my head down in between my knees. When I could stand, she guided me out of the room.
I arrived back at the gymnasium long after our classmates had stopped laughing, shouting, and trying to sneak over to the other side of the gym. Theresa’s parents had offered to let me stay with them at the hotel and return home when Theresa could leave the hospital, but I had chosen to continue the tour. I still wanted to sing. But now, standing in the dark, listening to snores and trying to see which lump was my own waiting sleeping bag, I wished I had gone with them. I was relieved when Mr. M. appeared to guide me to my bag. As we made our way through sleeping bodies on the floor, I wanted to tell him the whole story. I wanted him to know how scared I’d been. I wanted to cry. I wanted him to hug me. But as soon as we were at my spot on the floor, he said, “Get some sleep,” and disappeared. I wondered where John was. Even Tim would have been a welcome conversationalist. But no one appeared.
On the bus the next day, I sat in the seat with Jasmine as we drove down the highway. I was exhausted and felt out of place without Theresa. I leaned my head against the bus window.
“What kind of music do you listen to?” Jasmine’s voice startled me. It may have been the longest sentence I’d ever heard her speak. “Only madrigals?”
“Um, no. I don’t really listen to madrigals outside of choir.”
We talked, working slowly through her struggles with English. I noticed that she laughed easily, just quietly. She wasn’t serious at all. I saw John making his way to the front of the bus to listen to Mr. M.’s stories. “He walks like, what do you call it? A big spider,” Jasmine said, mimicking his swinging arms.
“You aren’t like I thought,” I said. “I thought you studied all the time.”
“I just never have anyone to talk to.”
Just then, Stacy plopped into the seat in front of us on her knees, her chin resting on her hands as she looked at us. “Hey,” she said.
“Hi,” I offered. I couldn’t imagine what Stacy wanted with us.
“You want a Twinkie?” She held a Twinkie out toward me. “They gave them to us last night and you missed out. I got an extra, though, so you want it?”
“Okay,” I took the Twinkie. “Thanks.”
“That must have sucked last night.”
Stacy’s heavily lined eyes were kind. Right now, she didn’t really seem like a wild and promiscuous partier. Even if she did swear and use bad words.
“God,” she said. “Where are we even going?”
The bus was taking a detour. Mr. M. knew of a church with good acoustics in one of the tiny towns the freeway blew past. He’d arranged for us to have access to the sanctuary.
Inside the domed church, sunlight shone through stained glass windows, and a quiet reverence filled the space, silencing our jokes and laughter as we filed into the center of the sanctuary beneath the high domed ceiling. The only audience member was a church secretary sitting in the back pew. Mr. M. drew us into a huddle and placed his finger over his lips. He waited until we were completely silent and then raised his hand to Jasmine for the starting note.
The sound was incredible. It rang up and throughout the dome, bouncing from one angled section of the roof to another. One full measure later, as I began my second soprano part, I could still hear the ringing of the first note. The sound swelled through the room and seemed to move around and between us, even as we stood shoulder to shoulder. I closed my eyes and heard Jasmine’s first soprano dancing across the melody. Stephanie’s deep alto voice established strength and consistency. Kathy’s second soprano sang a note slightly under mine, and I recognized it as truer, so I matched it. John’s tenor played off the melody, and I heard the desire in it. I missed Theresa’s alto, but Tim’s bass struck a confident chord that anchored me. I listened and let my voice blend with the others. I realized I hadn’t been watching Mr. M. and no longer needed his gestures and facial expressions. Together, our voices wrapped around each other and became something beyond our own individual wishes, our loneliness, our restlessness, our confidences and confusions, and rang out; our voices rose up and into the dome of the church, then outside past the school bus and outside over the fields into the clear, clean air. When the last note stopped ringing, I opened my eyes to Mr. M beaming. He pointed a long finger at me. “Yes!” he said, “Yes.”
“A High School Madrigal” has looked for the right home for many years. It was one of the first chapters I wrote in my memoir, A Bouquet of Weeds: Growing Up Wild in the Pacific Northwest, forthcoming from High Frequency Press. During one of thousands of revisions, I removed it because it didn’t fit in the book's arc. However, I still love this story about belonging. High School is such an interesting time when you define who you are while you find the space where you fit. The breakthrough I had, where for a moment I stopped seeing people through their differences, but instead, through what we were as a whole, was pivotal for me.

NAOMI ULSTED writes fiction and non-fiction. She’s the author of the YA novel The Apology Box (Idle Time Press, 2021). Her memoir, A Bouquet of Weeds: Growing Up Wild in the Pacific Northwest, will be published in Spring 2026 by High Frequency Press. She lives on the southern coast of Oregon.
