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West on Piccadilly

Shauri Cherie


Stop for a moment to feel the air

grow colder, chilled by the rush of passersby

milling on steps, on escalators, staying


on the right to make way for those rushing

for the platform.  Take a step and listen

to the sound of footfall and the grind


of the train on the rail and the faint trill

of Mind the gap over the speakers.

Push between two teenagers stumbling


out onto the platform for Russell Square.

There’s little room on the Tube at this hour,

but squeeze yourself into a corner, wrap


your hand around the bar, and bear it as

more and more people crowd around you.

Some might have come from King’s Cross


(they keep luggage tucked protectively between

their knees as if anticipating the worst)

or perhaps they’re on the journey home tonight


(the woman next to you has mascara smudged

beneath her eyelids and a seated old man

is slumped forward onto his wrinkled palms).


The doors will shut behind with a mechanical hiss.

Sway with the lurch of the train as it departs, see

a girl holding her mother’s hand shift her footing.


The train twists and turns and tilts until brakes

squeal to a stop at Holborn, Covent Garden,

and, finally, Leicester Square.  The doors open


to a white-tiled wall, and here, the people move

faster, faster, faster, so pause in this moment

to watch the tide of bodies swell around you.


Wait to watch a group of girls sway concert-drunk

and tourists take selfies to post on Instagram,

men hovering next to their wives, children


swinging their feet in their seats while parents

shush them and apologize to those seated beside.

Wait here until the doors begin to hiss once more,


then you, an American in a country that isn’t

your own, step off the Tube and onto the platform,

careful to mind the gap.




"West on Piccadilly" was the first poem I wrote for my European travel lyric sequence as an undergrad.  It was originally published in Outrageous Fortune, but this version has been edited in preparation for a chapbook.  It's sensory-focused, meant to capture the barrage overwhelming the senses of someone from a rural Utah town in the heart of London.  It was a breakthrough experience that boosted my confidence, and rereading it brings the Tube vividly back again.



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SHAURI CHERIE is easily excited by travel, curry, and stingrays.  Her work appears in Trace Fossils Review, Ghost Light Lit, and others. shauricherie.com

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