The Long Haul
Shanan Ballam
The black ribbon of highway
unfurls before us.
It is well past midnight.
The stroke and I are driving
a semi on a three-year road trip.
We are exhausted,
sticky, smelly and stiff
from the long, stale ride.
We haven’t been out of the truck for hours and hours.
We haven’t had a chance to stretch our legs.
We are both wearing black plastic AFO’s
that makes our right legs numb.
Our bladders ache.
We have no idea if
or how it ends.
We don’t know
where we’re going.
We just know
we must drive.
Because that’s all we know
how to do. We must keep
moving. But we don’t know
why. The situation is so
confusing. Every time I turn
my head when I think
I see the answer
it dissipates like smoke.
The stroke is driving.
Bleary-eyed the stroke turns
the wheel over to me.
The seat is warm
where the stroke sat.
I take the sweaty
wheel in my grip.
We’re hauling precious
cargo, dragging its heavy load
behind us like a tail.
In the trailer we carry
all our grief.
We can’t afford
to lose this load.
I drive carefully
through the night.
The stroke sleeps in the passenger seat.
I drive until the white morning sun seeps
through the cab windows.
I glance at the stroke.
She has brown hair
and is wearing my red shirt.
When she lifts her sleepy head
I see she has my brown eyes—
my nose and my mouth—
she even has my four moles
high up on her cheek,
that look like the basin
of the big dipper.
She is me
me
me.
She has been me
all along.
We know what we have
to do: together we unhitch
the heavy trailer of our grief.
We leave it at a grimy truck stop
in the middle of nowhere.
The stroke says I’ll drive—
but the words come
from my mouth.
I have written several poems about my stroke, comparing it to a horse that falls on my chest, a rat, my abusive stepfather, my drunk brother-in-law who molested me. The stroke is always an enemy. This poem was the first time I saw that the stroke was actually me—had always been me. This idea was a breakthrough, to see the stroke not as an adversary, but as myself.

SHANAN BALLAM is the author of the poetry manuscripts The Red Riding Hood Papers (Finishing Line Press, 2010), Pretty Marrow (Negative Capability, 2013), Inside the Animal (Main Street Rag, 2019), and the chapbook first poems after the stroke (Finishing Line Press, 2024). shananballam.org
