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Hard Times

Lev Raphael


Fifty+ years ago, I was bullied in fifth grade, but not by other students: My teacher was the culprit, and she seemed to take special delight in tormenting me. Today I wonder if she knew I was gay decades before I did, given my obvious crush on our dazzling class president, and it revolted her.


Thanks to the alphabet and our last names, I sat right across Michael who was tall and curly-haired, with blue eyes and brilliant white teeth.


I was nothing like him.


Sitting in the row furthest from the door, he seemed to always live in a penumbra of light from the giant windows piercing the nearby wall of our neo-Gothic elementary school. I longed to be his friend without being able to articulate that to myself or understand it could mean something vital about who I was. Mrs. Zir must have observed me fawn over him—when I could—like the time he dropped a pencil and I stooped faster than he did so I could grab the precious yellow cylinder and hand it to him, hungry for a smile.


He was kind in an off-hand way. Mrs. Zir herself was scarier than Cruella de Vil though she lacked the sharp angles and swirling robes. Muscular and six feet tall with a large, oval, sneering face and thinning gray hair trapped in a forbidding bun, she loomed above us kids like an adamantine, implacable god.


Zir's clothes were almost always some shade of gray that matched her hair and her derisive eyes. In a horror movie today, I think that CGI would be used to make her an alien storm cloud roiling with nauseating thunder and lightning, disguised now and then as a human being.


This woman with the harsh last name stalked our classroom in big-ass sneakers you felt could crush you as easily as one of her savage, nonverbal put-downs. When she shook her head at your wrong answer to some question, that gesture said youwere hopeless and she was disgusted.


Mrs. Zir seemed to especially enjoy humiliating anyone who couldn't think fast when she swept up and down the five rows of six desks each, jamming a cruel index finger your way and demanding an instant answer to a multiplication problem. "Six times six! Five times seven!"


It was a tsunami, and if you hesitated, she abandoned you to your ignorance and shame, turning instantly away to torture someone else. Just seeing her start this inquisition left me sweating and breathless because I was so anxious to begin with in her class. Arithmetic was like a black hole to me and written quizzes were my doom no matter how much I studied beforehand: hard-core proof of my inadequacy.


The classroom with its scarred wooden desks--so old that they had inkwells--felt like a prison that whole year of fifth grade. Zir bullied me and anyone else whenever she got the chance. She was the queen and we were her lowly subjects, or most of us were. She had her favorites, the pretty girls and handsome boys (like Michael) whose parents apparently flattered her at parent/teacher conferences.


Mrs. Zir knew that my parents had lived in Belgium, and when she said something to my mother in French at their first parent/teacher conference, my mother acted puzzled: "What language are you speaking? It's not familiar to me."


That reply apparently left my teacher speechless.


My mother relished this anecdote when she reported it to me at home because she thought Mrs. Zir was pretentious and a snob—on top of having an atrocious accent. As much as I enjoyed hearing an adult mock my teacher, I quailed inside when I heard what took place at the conference because I knew there would be revenge. It followed swiftly.


In auditions for our class's production of The HMS Pinafore, I was cast as Ralph Rackstraw, the lowly seaman in love with the captain's daughter, but Mrs. Zir barely heard a note before silencing me: "You can't sing!"


I was crushed. I could have been relegated to the chorus even if I wasn't a great singer, but instead, she gave me a prominent role and undermined it by keeping me mute onstage.


Still, the cruelest thing she did was destroy my writing. I was an advanced reader and proud of my poems and little stories. I expected to take them all home when fifth grade was over to start a personal library, but Mrs. Zir wouldn't let me have mine. She said that she was keeping everyone's portfolios, and I was too scared to ask why or report her refusal to my parents.


But when I finally steeled myself to venture one floor down to her classroom the next year when I was in sixth grade, she dismissed me with a casual "Oh, I threw all of that out."


Decades after fifth grade, I am courageously taking voice lessons with a young graduate student in Michigan State University's College of Music and he couldn't be more different from the severe Mrs. Zir.


Fair-haired Felix is relaxed, encouraging, witty, clear-headed, loves to laugh and can sometimes read my mind, as when he notes I might be overthinking a line in a song rather than feeling it. I had almost completely forgotten Mrs. Zir until the day Felix is talking about mental blocks interfering with the free production of sound and I find myself sharing Mrs. Zir's damning verdict that kept me silent. He shakes his head. "But you have a beautiful voice! There's so much music in you!"


And I suddenly feel as liberated as if I've been under hypnosis and the magician has just snapped his fingers to bring me out of it.




Sometimes opposites can inspire an essay or short story that I write, and that's the genesis of "Hard Times."  I take voice lessons at a community music school connected to our local university, and it's staffed by faculty and graduate students from the College of Music.  My most recent teacher has been ideal: inspiring, thorough, focused, friendly, and blessed with a great sense of humor.  Those qualities have helped me improve my resonance, my legato, and my understanding of the poetry in each song that we work on, whether Schumann or Sondheim. One day during vocal warm-ups, his polar opposite, the worst teacher I ever had, just popped into my head.  I hadn't thought about her in, well, what seemed like forever, but realized out of the blue that I was the one with power now because I could use the writer's magic to turn her into words.



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LEV RAPHAEL is an editor, mentor, writing coach and the author of 27 books in genres from memoir to mystery. 


writewithoutborders.com and levraphael.substack.com

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