top of page
Five Cows, Two Calves Found Shot Dead in Pine Valley

Dana Henry Martin


The cows dead in the vast pastureland

were shot as they grazed.

                                             They look like chunks


of basalt until the mind adjusts to what it sees.

Here, something with hooves, ears, a tail.


There, a barreled body on its side, a number 

burned in its hip beside a brand like a symbol


from an old scroll.

                                 They died nameless but not

without identity: cows one through five,


and two nursing calves.

                                          All night, they laid

next to the powdered road, among the sands


and sagebrush, a stone’s throw from pinyons,

holes blown from ribs into lungs, from backs


into intestines, a blush oval-shaped dish of skin

around each entry.

                                  The news shows two adults


but neither calf.  That would be too much

even for those bred in this rough country,


where generations have nursed on heaving,

iron-laden lands.

                               It’s one thing for God


to take what rightfully belongs to him

through drought, hunger, heat.

                                                        It’s another


when a man stands at the edge of a road

that’s not even his, points the tips of his boots


at each animal he aims to shoot and kills

a whole herd, even the babies.  Easy targets


if you’re willing to trespass, to get dirt

on the hems of your jeans, and flee


before you’re seen.

                                  The shooter moved

under a dark cape below Taurus the bull


squinting from the stars, seven girls

dancing forever in his shoulder,


The Pleiades carried to the heavens

to escape Orion the hunter who vowed


to kill every brute in the world.

                                                       Then, morning:

the night sky’s inverse.  Seven dead cows


a black constellation against bright earth,

dark angels whose story’s written in the dirt.



“Five Cows, Two Calves Found Shot Dead in Pine Valley” is based on a story by the same title 

in St. George News, the online newspaper for Southwest Utah.




The breakthrough for this poem was being able to write it at all.  I read the news story in 2022, but couldn't write the poem until 2025, despite wanting to. How do we talk about such things? How do we live in a place we love where such things happen?  I wanted the cows and calves to have a different ending, a different story.  So I gave them one that's part funeral, part myth.  That was my way into the poem.



ug

DANA HENRY MARTIN is a poet, medical writer, and health- and mental-health advocate whose chapbooks include Love and Cruelty (Meat for Tea, forthcoming), No Sea Here (Moon in the Rye Press, forthcoming), Toward What Is Awful (YesYes Books, 2012), In the Space Where I Was (Hyacinth Girl Press, 2012), and The Spare Room (Blood Pudding Press, 2009).  Martin's work has appeared in The Adroit Journal, Barrow Street, Cider Press Review, FRiGG, Laurel Review, Mad in America, Meat for Tea, Muzzle, New Letters, Rogue Agent, Sheila-Na-Gig, SWWIM, Trampoline, and other literary journals.  She weaves, birds, and hangs out with the cows who live next to the cemetery in Toquerville, Utah.  danahenrymartin.com

bottom of page