Five Cows, Two Calves Found Shot Dead in Pine Valley
Dana Henry Martin
The cows dead in the vast pastureland
were shot as they grazed.
They look like chunks
of basalt until the mind adjusts to what it sees.
Here, something with hooves, ears, a tail.
There, a barreled body on its side, a number
burned in its hip beside a brand like a symbol
from an old scroll.
They died nameless but not
without identity: cows one through five,
and two nursing calves.
All night, they laid
next to the powdered road, among the sands
and sagebrush, a stone’s throw from pinyons,
holes blown from ribs into lungs, from backs
into intestines, a blush oval-shaped dish of skin
around each entry.
The news shows two adults
but neither calf. That would be too much
even for those bred in this rough country,
where generations have nursed on heaving,
iron-laden lands.
It’s one thing for God
to take what rightfully belongs to him
through drought, hunger, heat.
It’s another
when a man stands at the edge of a road
that’s not even his, points the tips of his boots
at each animal he aims to shoot and kills
a whole herd, even the babies. Easy targets
if you’re willing to trespass, to get dirt
on the hems of your jeans, and flee
before you’re seen.
The shooter moved
under a dark cape below Taurus the bull
squinting from the stars, seven girls
dancing forever in his shoulder,
The Pleiades carried to the heavens
to escape Orion the hunter who vowed
to kill every brute in the world.
Then, morning:
the night sky’s inverse. Seven dead cows
a black constellation against bright earth,
dark angels whose story’s written in the dirt.
—
“Five Cows, Two Calves Found Shot Dead in Pine Valley” is based on a story by the same title
in St. George News, the online newspaper for Southwest Utah.
The breakthrough for this poem was being able to write it at all. I read the news story in 2022, but couldn't write the poem until 2025, despite wanting to. How do we talk about such things? How do we live in a place we love where such things happen? I wanted the cows and calves to have a different ending, a different story. So I gave them one that's part funeral, part myth. That was my way into the poem.

DANA HENRY MARTIN is a poet, medical writer, and health- and mental-health advocate whose chapbooks include Love and Cruelty (Meat for Tea, forthcoming), No Sea Here (Moon in the Rye Press, forthcoming), Toward What Is Awful (YesYes Books, 2012), In the Space Where I Was (Hyacinth Girl Press, 2012), and The Spare Room (Blood Pudding Press, 2009). Martin's work has appeared in The Adroit Journal, Barrow Street, Cider Press Review, FRiGG, Laurel Review, Mad in America, Meat for Tea, Muzzle, New Letters, Rogue Agent, Sheila-Na-Gig, SWWIM, Trampoline, and other literary journals. She weaves, birds, and hangs out with the cows who live next to the cemetery in Toquerville, Utah. danahenrymartin.com
