July
by Shanan Ballam
April isn’t the cruelest month.
That would be July,
the month you died,
when asphalt gleamed heat
and construction cones lined
the lanes on the break-neck
freeway—
I slumped
in the back like a sack
of trash as our sisters and I raced
tear-blind to the scene,
bodies flung
side-to-side
as we whipped in
and out of traffic, tires
screeching,
only to stand stunned,
worthless,
gagged with Dad’s cigarette smoke—
oh—I can still hear him sobbing
in the scorching garage.
​
In April, crocus spear
through soil, open pale purple,
thin as tissue paper,
lacewings luxuriating
in the saffron
like cats rolling
on their backs in the sun.
In April, the lilacs’ tiny blossoms,
hard as oysters, begin to soften,
and when they open,
iridescent frills
the color of pearls,
their fragrance drifting
through the windows,
sheer curtains shimmering.
Maybe if I’d called you to say
I’m worried, I love you,
You could have said
Help me. Dad won’t.
In the cement basement
I saw the message
you scrawled on the wall:
​
Why won’t it rain?
I saw your self-portrait
in black spray paint.
You blacked-out your own
awful eyes.
The anniversary creeps
closer, hobbled, like a baby
buggy with one wheel
missing.
July is cruelest because
I still must drive
past the hospital where the doctor
pronounced you dead,
past the chapel,
its gold and crimson windows,
past the Wal-Mart and the Maverik
where you bought your beer and cigarettes,
past the woman with the dead baby’s
footprints tattooed on her breast,
and down there near the tracks:
sagebrush, vodka bottles,
and a single sego lily,
basin blushed ruby red.
​
Oh July—you emergency!
July with your wildfire heart.
But I drive past the field silvered
with sprinkler mist
where the two painted horses bend
their graceful faces
to the grass, their black manes
shining in the falling sun,
shining like your black hair
in the obituary picture.
This time I’ll stop
the car, and we will walk
to horses who know
only this emerald field,
its musky soil,
know only the sky spreading
its deep indigo,
and we’ll pull up clumps
of silky grass.
See how they move
toward us, bodies glistening
as the day disintegrates.
​
​
​
for Dylan, April 20, 1989 - July 7, 2013
My youngest brother Dylan Thomas drank himself to death at age 24. This poem is my favorite unpublished piece because it takes so many surprising turns and utilizes different tones—panic and calm. It contains surprising comparisons: the anniversary of his death compared to a baby buggy with one wheel missing and comparing July to a wildfire. I like how it contrasts April and July—extreme heat and early, raw spring—and uses connotations from Eliot’s famous poem, “The Wasteland.”
​
Share:
....................................................................................................................................................................................
SHANAN BALLAM is the author of the poetry manuscripts The Red Riding Hood Papers (Finishing Line Press, 2010), Pretty Marrow (Negative Capability, 2013), Inside the Animal (Main Street Rag, 2019), and the chapbook first poems after the stroke (Finishing Line Press, 2024). www.shananballam.org